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20th-Aug-2006 07:06 am - HBO Documentary Films Special
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Say what you will about Spike Lee, he IS a brilliant film maker and his work inspires emotional reactions that spark much debate, which is perfect in documentary film. I personally think he's done some incredible work, in particular 4 Little Girls and Malcolm X, both of which I highly recommend - particularly if you're non-white, and especially if you are white.

Lee is in my opinion a truth visionary, one I share a commonality with. Holding the truth up to the light of scrutiny for all to see, and letting folks decide how they feel about it. Several will deny and not want to believe, but here's what's great about that kind of challenge to the truth - get enough people aware of it, and it is harder to deny. In that statement alone, I'm reminded of Charles Provan. Here's a man who, along with many other like minded hatemongers in his circle at the time, denied the holocaust ever happened like it was some sort of Zionist conspiracy. All it really took was rudimentary science and the truth became clear for him. Now he devotes much time and energy towards the truth in what really happened during the holocaust and the travesty of denial. Read more about how this holocaust denier turned onto the truth.

Spike Lee has created a film for HBO called When the Levees Broke: A Requiem in Four Acts. Part 1 airs tomorrow, part 2 on Tuesday. The entire 4 hour film airs on the 29th, the one year anniversary of Hurricane Katrina. Lee addresses the realities of what happened to New Orleans, starting with this: it was not Katrina that drowned the city - it was the breaching of the levees.
As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Like many who watched the unfolding drama on television news, director Spike Lee was shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort. Lee was moved to document this modern American tragedy, a morality play witnessed by people all around the world. The result is WHEN THE LEVEES BROKE: A REQUIEM IN FOUR ACTS. The film is structured in four acts, each dealing with a different aspect of the events that preceded and followed Katrina's catastrophic passage through New Orleans.
I know that it was the entirety of the Gulf Coast and the lives of its inhabitants that were left in ruins, but New Orleans was in many ways the actual Ground Zero for what happened and the general response failures.

I will watch and I will continue to blog on this subject. I have saved a ton of video news clips and such and will be uploading them as well for a forthcoming post.

More on the film at here.

23rd-Mar-2005 08:54 pm - HBO Has Done It Again
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"In the end, we will remember not the words of our enemies, but the silence of our friends." -- Martin Luther King, Jr.

I remember in the 8th grade and learning about what really happened during the WWII holocaust, going home crying over it, and being grateful for many years afterward that such things would never happen again, in particular in my lifetime. When this particular atrocity happened, I remember vividly thinking about that time in my youth and trying hard to recall another moment of lost innocence.

I urge you all to make an effort to see this film if you have HBO. Record it and loan it to someone else who doesn't have HBO, and make sure it gets passed around. Watch it with your children if you think it is age appropriate, have a discussion about it and encourage this dialogue.



- SYNOPSIS -


In April 1994, one of the most heinous genocides in world history began in the African nation of Rwanda. Over the course of 100 days, close to one million people were killed in a terrifying purge by Hutu nationalists against their Tutsi countrymen. This harrowing HBO Films drama focuses on the almost indescribable human atrocities that took place a decade ago through the story of two Hutu brothers - one in the military, one a radio personality - whose relationship and private lives were forever changed in the midst of the genocide. Written and directed by Raoul Peck (HBO Films' "Lumumba"), the movie is the first large-scale film about the 100 days of the 1994 Rwandan genocide to be shot in Rwanda, in the locations where the real-life events transpired.

Both an edge-of-the-seat thriller and a chilling reminder of man's incomprehensible capacity for cruelty, Sometimes in April is an epic story of courage in the face of daunting odds, as well as an exposé of the West's inaction as nearly a million Rwandans were being killed. The plot focuses on two brothers embroiled in the 1994 conflict between the Hutu majority (who had ruled Rwanda since 1959) and the Tutsi minority who had received favored treatment when the country was ruled by Belgium. The protagonists (both Hutus) are reluctant soldier Augustin Muganza (Idris Elba), married to a Tutsi and father to three, and his brother Honoré (Oris Erhuero), a popular public figure espousing Hutu propaganda from a powerful pulpit: Radio RTLM in Rwanda.

The drama is set in two periods, which unfold concurrently: In April 1994, after the Hutu Army begins a systematic slaughter of Tutsis and more moderate Hutus, Augustin and a fellow Army officer named Xavier, defying their leadership, attempt to get their wives and children to safety. Separated from his wife Jeanne and their two sons (whom he entrusts to the care of his reluctant brother), Augustin gets caught in a desperate struggle to survive. Barely escaping the purge, he's haunted by questions about what happened to his wife, sons and daughter (who was a student at a local boarding school). In 2004, looking for closure and hoping to start a new life with his girlfriend Martine (who taught at his daughter's school), Augustin visits the United Nations Tribunal in Arusha, where Honoré awaits trial for the incendiary role he and other journalists played in the genocide. In the end, through an emotional meeting with Honoré, Augustin learns the details of his family's fate, giving him closure and, perhaps, hope for happiness in the future.


12th-Jan-2005 10:15 am - Welcome To The Other Side
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One of my favorite things to watch on television is a good documentary. At times, they have impacted my life in ways that I still cannot shake. For instance, I was watching a PBS documentary on the holocaust when I was about 8 or 9, and trying to figure out what was going on. I recall it not making a lot of sense to me, but feeling from the cold imagery of the SS troops goose stepping in unison and the vacancy on the faces of the strange, emaciated people behind the barbed wire. There were quick flashes of these huge dug out pits with limp bodies falling into them at odd angles, and of carts full of bodies. I probably thought it was mannequins or something creepy like that (mannequins have always kind of freaked me out). The part that had the most significant impression on me was the scenes involving the crematorium ovens. In one scene, I recall this grainy black and white footage of a smokestack belting out this steady plume of thick, black smoke. Then it went immediately to the crematory oven and that metal door that opened to reveal a stretcher with bones on it. All at once the entirety of what this meant pressed down upon me and I felt my blood run cold and my heart sink. All of it suddenly made as much sense to me as it could, given my age and subsequent world view. I began to cry and within seconds the TV switched off. I turned to see my mother standing behind me with the remote in her hand and that look that parents give a child who has just made an age-inappropriate discovery. She sat down next to me and answered my questions in between our sob soaked hugs for probably an hour. The point is that I learned about the holocaust from a documentary, and to this very day I have a very difficult time looking at smokestacks. I don't know that I have a fear of them necessarily, but I detest being around them and have on occaision spazzed out in their presence.

HBO has for a while now been producing really excellent documentaries in their series America Undercover. This summer they have a new one on celibacy in the priesthood, titled Celibacy. There's a preview link on that page as well. Last Letters Home premiered last Veteran's day. It's about the soldiers who have died in Iraq and their final letters to their families and friends, read by the families. It's really amazing. You can read more about that film here..

Heri To An Execution is about Julius and Ethel Rosenberg, who were executed in the 1950's as traitors for allegedly relaying the secret of the atomic bomb to the Soviet Union. The film is directed by their grandaughter, Ivy Meeropol. I remember the first time I ever heard of the Rosenbergs was in reading Sylvia Plath's The Bell Jar, at a time when my life was The Bell Jar.

My Flesh And Blood is about a woman in California who has adopted 11 special needs children. A Boy's Life is about a child in rural Mississippi who has serious behavioral difficulties. Born Rich is about young adults who are born into some of the wealthiest families in the world and their perceptions of life, family, and their social societies. Terror In Moscow is about the Chechen terrorists who held 700 people hostage in a theater in Moscow in 2002, and the ensuing tragedy. Aileen: Life and Death of a Serial Killer follows the life and death of Aileen Wuornos, and gives tremendously empathetic insight into the woman. I'm still reeling from Charlize Theron's phenominal portrayal of her in Monster.

Then there's the one that I saw not too long ago and meant to post about, but have forgotten for one reason or another. It is safe to say that it is my favorite. It is called Beah: A Black Woman Speaks and it is a story about Beah (Bee-uh) Richards. I remember the first time I can recall ever seeing or knowing anything about her, it was her performance in the film Beloved. She plays a character called Baby Suggs that is so endearing, so enchanting, that one cannot help but be totally charmed by her. Beah's performance was the highlight of an amazing film experience for me. I learned later that she played opposite Sidney Poitier in Guess Who's Coming To Dinner? and In The Heat Of The Night, two other films I can recall enjoying years before I was aware of her. Beah was a poet and a playwright. She acted on stage and screen. She taught her gifts to other artists over time, and involuntarily became an activist through her work and associations. Hers is a story about being a child in segregated Mississippi, and being moved by a dream of becoming something more than her environment. You can read more about the film by clicking here. You can also download [.pdf] a thoughtful classroom and community activity guide inspired by the life and words of Beah Richards.

My second favorite is called Before You Go: A Daughter's Diary. It is a film about the extraordinary relationship between a man and his only child, and his fight (and untimely death) from AIDS. It brought back a flood of memories of friends I have lost, and inspired me that people are capable of such honesty in the face of such horrific suffering.

There are many amazing films produced in this series, I'm leaving out a lot of the ones I've been enthralled by because thisd is already a long post, but the full catalog is available here. If you get the chance, take the time to watch these extraordinary films.
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